Guitar Effects !! - Line 6 , MXR , Cry baby , Pods , Pedals , Delays, Chourus and Distortion Boxes
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EFFECTS !!!
Moudry Music can really enhance your sound with guitar effects , bass effects, vocal effects. We make your sound fat and thick with delays, flanges , chorus, reverb, overdrive and distortion pedals. Looking for a specific sound? Check out line 6 guitar modeling floor and rack mount devices.
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We have a complete line of guitar effects distortion boxes , effects pedals, wah wah pedals , Line 6 Pods, chorus, delays, overdrive boxes. Come in and check out some of the amp modeling, Line 6 does an awesome job of that.
Distortion -Distortion in most common guitar effect. Guitar distortion effects can be found in all kinds of music. On a typical distortion effects pedal, you will see the following knobs.
Drive (aka Gain or Distortion) – This setting controls the amount of distortion. If you are playing lead or heavier songs, you should set this higher. On the other hand, if you are playing rhythm or blues, this knob should be set lower. Otherwise, you’ll get a poorly defined sound.
Tone (aka EQ) – Lets you determine the treble content and modify the tone of the sound.
Level – Sets the final output volume of the effect.
Chorus - An electronic chorus effect splits a guitar signal in two, modulating the second signal's pitch and
mixing back in with the "dry" original signal. The effect sounds like
several guitarists playing the same thing at the same time, resulting
in a wide, shimmering or swelling sound. The output is the sum of these inputs. Creates a spacey sound, or if used subtly, a double-tracking effect.
Delay/Echo - A delay or echo pedal creates a copy of an incoming sound and slightly
time-delays it, creating either a "slap" (single repetition) or an echo
(multiple repetitions) effect. Delay pedals, which may use either
analog or digital technology, can be used to create effects ranging
from a subtle alteration of the original signal to drastically-altered
sounds.
Echo
Uses short, effected delays to simulate an echo.
Reverb
Simulates reverberation in stadiums, halls, other performance
areas. Even actual surfaces, such as plate metal and metal springs, are
sometimes simulated.
Flanging
Uses very short variable delays to cause a changing comb filter effect.
It is often said that flange sounds like air planes coming in for a
landing or the swirling sound of water going down a drain. The flanger
was a studio effect at first. Old tape reels have flanges in the reel.
The effect was created by poking a drumstick in and out the flange in
regular time. This created the sweeping effect.
Phase shifting (or phasing)
Modulates the phase of the signal. High phasing speeds produce an "underwater" effect
Overdrive and distortion
Distortion is when the signal is amplified past the limits of the amplifier, resulting in clipping. (see Fuzzbox) Overdrive is when you amplify the signal from the guitar beyond the limits of the main amplifier.
Wah-wah pedal
An effect that gives the instrument an almost vocal effect, familiar as the wah-wah pedal.
Equalizer
Adjusts the frequency response in a number of different bands of
EQ. Variants include the parametric EQ which instead of flatly boosting
and cutting frequencies, curves the frequency response to include
changes in adjacent frequencies. As well the paragraphic EQ, which
combines the visual interface of the graphic EQ with the flexibility of
the parametric EQ, giving each band its own adjustable Q.
Compressor
The gain of the amplifier is varied to reduce the dynamic range of the signal.
Tremolo
Tremolo produces a periodic variation in the amplitude (volume) of
the note. i.e. A sine wave applied as input to a voltage-controlled
amplifier produces this effect.
Rotary Speaker
A Leslie speaker simulation effect. One particular effect of this type (the Uni-Vibe) was made famous by Jimi Hendrix.
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